Nina Gorbenko

Close-up of a creamy, smooth, light-colored substance, possibly ice cream or whipped dessert, with a slightly glossy surface and some small specks.

Artist Statement

Sculpture

Experiments

Photography

Biography

The photo shows a reflection of a person taking a picture through a glass window, with framed photos on the wall behind the glass, and some faint exterior city of PAris features visible.
View of city rooftops with industrial and modern buildings, sunlight shining through, featuring water towers, fire escapes, and various rooftop equipment.
Close-up photograph of a folded, textured metallic fabric or material with light and shadow highlighting its curves.

Artist Statement

Nina Gorbenko is an artist whose journey from the world of poetry and then photography led her to the tactile realm of ceramics, where everything came together - the poetic symbolism, and the visual storytelling. This transition into ceramics and mixed media art was a natural progression, a way to say more with less, to appeal to the emotional or even subconscious self.

The Philosophy

Nina’s art uses language spoken in textures, colors, and forms. The creations are more than mere objects; they are feelings told in clay, meant to resonate with the observer in a tactile way and bring a sense of peace and introspection.

The Inspiration

Nina's work captures the essence of her experiences. Both ceramics and photography are a celebration of the world's varied landscapes and textures, from the subtle interplay of light and shadow reminiscent of her photographic work to the raw, tactile sensations of the earth in sculpture.

The Commitment

Nina is committed to sustainable and ethical artistry. She believes in creating beauty that respects our planet, employing environmentally conscious practices and materials that are as kind to the earth.

A white abstract sculpture of a human ear on a white pedestal, with cacti and grass in the background.
Close-up image of a metallic or textured surface with a deep black circular hole or indentation.

ceramics, plaster, yarn

Sculpture

A decorative white ceramic shell sculpture on a white pedestal outdoors at sunset with a blurry background of tall grass and wooden fence.
Close-up of a black, textured, and wavy sculpture or object with a smooth, shiny surface and rounded contours.
Cream-colored ceramic sculpture of a human heart on a wooden surface with a plant in the background.
Close-up of a black, shiny object, possibly a piece of black obsidian or glass, placed on dry grass or straw.
Minimalist interior with two vases, a black bowl on a wooden console, and abstract wall art

Experiments

This experiment happened in search of the right material, will it be plaster, airdrying clay, or maybe something completely different. Nina ended up with this airdrying clay on stretched canvas and decided to proceed with ceramics.

White ceramic sculpture resembling an abstract ear or organic shape, placed on a wooden surface with a gray object and glass container nearby.
Empty oval picture frame with white fabric and stitched border, placed on a wooden surface next to a glass diffuser with black reed sticks and a partial white sculpture or bust.
Hand holding a cracked piece of white plaster or ceramic.

Currently, Nina is working on the idea of soft power, how it holds everything together, and how even something that is created in fire needs to rely on something delicate and fragile to stay together. She plans to weave pieces of ceramic sculptures together with yarn. The photo in the middle is someone else’s work used here as an example of a technique, two other ones are from the current process.

Textured fiber art piece resembling an abstract lightning bolt or jagged shape, mounted on a frame with vertical string lines.
Black loom with white yarn and bundles of yarn on a wooden table.
Footwear soles and shoe laces on a wooden surface.

Photography

Blurred photo of a yellow taxi cab on a city street, with building and traffic signals in the background.
Black and white photo of a beach with a pier and Ferris wheel in the background. People are walking and relaxing on the sand. A skateboard is in the foreground.
Close-up view of a modern glass building with reflective windows, showing the reflected cityscape, including older buildings with ornate architecture.
A female singer with short blonde hair, wearing a black sleeveless outfit and long glittery gloves, performing on stage with drums and lamps in the background illuminated by spotlights. The image is in black and white.

The purpose of Nina’s photography is to immerse the viewer into the atmosphere, to help notice things they were not paying attention to previously - to be present and aware, to see the beauty of the world as it is, with no retouching, no alterations. Nina herself uses photography as a tool for self-reflection, and awareness, but also because it’s plainly painful not to share all the beauty one sees.

Close-up of brown and green dried leaves with a blurred background.
City skyline with various buildings, rooftop structures, and a water tower in the background, illuminated by sunlight.
Close-up of a cream-colored ceramic or porcelain surface with smooth, flowing curves and slight discoloration or stains.

Through hundreds of thousands of photos made in the last decade, there is one theme Nina keeps on leaning on, sometimes consciously, but more often, not - reflections. Seeing the world through not only the camera lens but also through windows, mirrors, random reflections on skyscrapers, storefronts, and so before you see the photo it goes through a hall of mirrors: the eye of an artist, the lens, the mirror of the camera, and whatever reflections the environment adds on that, and we need to pay attention, what we actually see.

Black and white photo of a woman in a blazer standing outdoors with her hair blowing in the wind, looking serious.

about the artist

Born and raised in Ukraine, Nina got her master’s degree in journalism and mass communications. That’s when she started to photograph, though her primary occupations for a while were in journalism and the contemporary art business and her main passion was poetry. In 2015 she moved to New York, where after studying screenwriting for a year, she fully moved into photography, starting with a volunteer research position at the Metropolitan Museum’s media department. Through the years she’s been published in Drift Magazine, Vogue, L’Officiel, Marie Claire with many of her work purchased by Drift Magazine, including the cover for Los Angeles issue. Moved to Los Angeles in 2020 and slowly transitioned to sculpture, which is now her primary medium.

Some of the publications: